Millions vs. The album was recorded and released by dr. Feitnathoroth in penal colony during his service of sentence in right before his release! It starts with rough ragged noise based on a batch of overwound effects of looped samples, which grows like an avalanche raving and then comes down to the valleys of more spacious structures, after all degrading to monotonous noise jelly hanging like an impenetrable fog. Persistent schizophrenic collages of mind-corroding voices, a short break and then again millstones start their work, grinding the common sense.
Future Dark Industrial.
Anaesthesia Dolorosa Psychica is an exorcism dive into the depths of sorrowful heartlessness, which fetters the will to live. It is a proven attempt to find a way out of the maze of closed benumbed consciousness by sound magical opportunity. Psychoactive drone ambient transmits the chaotic flow of neurons and dark thought forms. The abyss calls to abyss. The abyss swallows up the abyss. Envelope from craft-parer with fullcolour print. Angel W. Black features giving her own enchanting touch with her astonishing voice either when lamenting as a queen that passed to silence or when invoking Hecate from Hades!
Finally, as in every album the artwork is an inseparable part of the concept of iNsCissorS. The main such source of inspiration for 'Future Chaos' is today's ever - changing world. Wars, poverty, global economy in crisis, fossil fuels depleting more rapidly every year could put an end to the world as we know it in a snap. A sudden catastrophe could drive human kind away from its technological progress straight into dark and really volatile enviroment of the dark future and into the chaos embedded within it. Some years past the critical moment on planet earth humans begin to leave their isolated and scatterred enclaves to reconquer the desolate postapocalyptic landscapes.
A world where ancient rituals and neoprimitivism spread over ruined remains of a reckless past. My work is an illustration of a world after a sudden collapse of humanity and its civilisation in during 21 st century. Strup - minimal raw noise turning into harsh power electronics. Special artwork made with the use of "Glikodin" cough syrup and a pipette. The recording features a fragment of predawn hour, an hour of visions and dreams.
Brilliant archival live recordings from this Russian ritualistic pagan droning ambient act, here presenting recordings from live performances and sessions made during Wonderfully evolving soundscapes of sonorous drones and echoes blending together with ritualistic rhythms and voices as well as some more industrial elements. During a post-graduate course at the same academy he decided to dedicate his work to sound and music. The working method of THU20 included many discussions about how to compose and why.
This period was crucial in forming his ideas and concepts about sound and how to organise it, but it was not until the mid nineties that he was able to fully realise these ideas. The purchase of a sampler and later a computer radically changed his possibilities of working with sound, offering infinitely more control and freedom.
Since then he has worked steadily on a body of work, most of which was recieved enthusiastically in the small but dedicated world of sound art. Aside from releases, Meelkop also creates site-specific sound installations and performance pieces in collaboration with other artists. When on March 11th of an earthquake was noticed in Japan, nobody could anticipate the destruction that would ensue in a large part of the country. The city of Fukushima had to endure te worst of all: it was first hit by an earthquake and then a tsunami.
But with the breakdown of a nuclear plant in direct vicinity of the city, a nightmare came true.
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Not only did many people lose their homes, now the fear of contamination was as real as it could get. Up until now it is still unclear how many people will suffer the consequences of nuclear radiation.
It is for the city of Fukushima and its inhabitants that this CD was concieved and produced, as a memorial to their struggle and a token of respect to their endurance. An optimistic isolationist album, performed on a variety of electric and electronic machines, some specially built for the task, some corralled for a humming role, even some actual musical instruments More ambient depths and wavetips in this new album, further twisting mutations of music, more specially found or made sound objects, and an exercise in extreme editing will end in a darkly yearning and beautiful soundtrack to your thoughts and hopes.
Avantgarde Power Noise. Special cardboard sleeve with a photo and info. This continued progressively until completion.
Contemporary Russian Poetry
The style of music ranges from neoclassical ambient orchestral multi-instrumental corroborations and layered electronic experimentations to simple primal ritual corroborees with sticks and bells and harmonious voices around a fire by the Hekate Tree. Dedicated to John Balance and Peter Christopherson with gratitude and inspiration Limited edition containing an additional disc with more than 70 minutes of music k. Together with the 1st disc it's more than minutes of pure ritual sounds.
These recordings are the second release in the series and continue as sound based pieces using David Jone's image processing system.
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ETC expanded operations in with the first Jones Colorizer and in with a set of keyers, a multi-input syncable sequencer and a bank of oscillators, all designed and constructed by David Jones. Ben Owen, November In terms of sound it is rather minimalistic canvas of the length of 72 minutes. The first two tracks let us see what we are concerned with.
This is super-strict and absolutely unmusical matter. The listener can picture to himself something from CM von Hausswolff, but based on two patches subtly guiding the original pure signal.
Obs, November Neo-folk typical sound becomes recognizable from the very first guitar accords and songs through the whole album, all its 10 compositions The album is inspired, influenced and I would say even derives from Sol Invictus and there is its own specific charm in this thing. It is not about mindless copying Sol Invictus style, it is about Arnaud's view of Sol Invictus music that is converting into his own unique musical world which is called Pale Roses.
Almost all maybe all were recorded as commisions for Dutch radio. People Like Us plunders her way through the wastelands of vinyl nobody buys, collages them into mostly strange, and at times funny pieces of music. Extensive spoken words are usually hilarious, but after repeated listening don't hold up. People Like Us use them as a supplementary part of music. There is an amount of easy listening stuff which may be dated now the records come from and respectively , but it bears still the skills People Like Us have.
Witty, to the point collages, a DJ that holds attention beyond the club setting, so one that indeed deserved to be re-issued. Both are composers whose primary instrument is the guitar, both have close ties to the Wandelweiser collective Pisaro is a longtime member , and both have pursued their unique paths without much concern as to how the rest of the world will perceive them.
Yuko Zama's intuitively empathetic design is a perfect symbiotic fit for the music contained within. Snapshots of ambient sound inspired by a Victorian Himalayan trekking diary, arranged into a series of music pieces.
The result is a vivid imagined evocation of soaring peaks, oxygen-thin high passes, tense, rickety metal footbridges and vast plains. Themes of his songs are amazingly similar to the panopticum of "collapsing new people" in Britain in early s: antisex, tiredness, decay, death. The definition "collapsing new people" was used by Fad Gadget in regards to one of the favourite groups of Moscow intelligentsia in s - Einstuerzende Neubauten; and although Selivanov is often compared to EN, comparing to Fad Gadget, Gary Numan or Magazine, and especially to the Leer-Rental duet with their album "The Bridge" Industrial Records would be more adequate.
Monotonous guitar riffs, dark repetitive synths, lyrics about vanity and disgusting meaninglessness if the existence - a kind of trademark of electronic post punk.
But these outstanding songs have way too much depth to be dismissed as mere pop music. A work of art of extreme sincerity, Masse Mensch Material revolves around the themes of love, faith and endurance. ROME has created a fascinating world of contradictions which each song lays out with clarity and with all the cruelty and kindness intact.
Within a very short period of time and at a terrifying pace, workaholic mastermind Jerome Reuter has carved his own path and created and established a dominion of his own, with its own codes and values.
Through its bitter sweet melodies of exquisite sadness and rebellion, its haunting lyrics, mesmerizing vocals and recordings of unmatched production and sound, ROME has become the new face of dark romanticism. Let yourself be buried in the shade of this masterpiece, in the beauty of desperation! Come out under the stars! ROME is the light! The discs are designed to simulate a concert experience, each in the same template design using two colors chosen by the musicians involved, with a photo of the concert on the back cover This was the first set they'd ever played together.